01/20/2014

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Ancient Egyptian Civilization Religious aspects: the Egyptian cosmogony. They are not projects of men that are made, but the will of Dios Ptahotep NACK 1996: 110 in the religious life of the Egyptians, we get to meet a chaotic multiplicity of names and figures of divinities. This is due to that before the unification of the Kingdom, each one of the tribes that inhabited the oasis of the Nile had his own God guard and that Egyptian religion Furthermore, resting on a multiplicity of divine powers, since they believed that the soul separated from matter acts as Rector of organic existence. These souls live in all things and all beings and are the cause of natural phenomena. The Egyptians are the most religious men, said Herodotus. The creation of the world - as the majority of primitive peoples, also the Egyptians tried to explain the origin of the universe, which can be summarized this way explanation: said that only initially there was the ocean. The chaos of the waters immense emerged coordinated worldwide. An egg emerges from the sea, and he was born the Sun God, Ra. It has four children: Sju and Sefnut, Geb and Nut. GEB, God of the Earth, has the shape of a rough man, which corresponds to the Strait and length of the Nile Valley; plants grow on his back. Nut is lifted into space on top of her husband and becomes the goddess of heaven, which leans on the Earth. GEB and Nut then are the parents of two couples of divine Osiris and Isis, Set and Nephtys. So, the Egyptian cosmogonic myth not is the creation of the world from nothing, but a separation and sorting of chaos. This creation myth resulted in the conception of the Ennead, a group of nine deities, and the triad,...
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Freddie Mercury Freddie Mercury and Jorge Donn, icons are recreated in various moments of the work and are personified from the personal imprint of certain dancers, those who embody that spirit avid life and pleasures that projected both icons in their fields individuals of action, - music and dance contemporary-, and whose images - in concerts and performing presentations-, are used as-is by Bejart, scenes certain Ballet, relying always on the soundtrack and articulating a very particular Poetics. Ultimately the Ballet for Life is a panegyric iconographic of the real world, where life continues despite the death, pain and love, erected as a hymn to hope and to life and taking figures of Freddie Mercury and the George Don, despite everything and against everything as exemplary signsassuming chaotic as an aesthetics of representation and projection to the world, extrapolating what happens in the symbolic space of the scene to the world that opposed him, facing the Visuality of the spectator and reflecting in it as in a mirror, so this symbolic decoding ends with the words of a Queen, words spoken in an irreverent interview days before his death physical, his leave of be and exist, by way of final topic: empty spaces, what live? Abandoned places, I think we know what it is. Forward, does anyone know what are looking for? Behind the curtain, sustaining us, anybody want to proceed? The show should continue. Inside my heart is broken, my makeup is broken, but my smile continues (forward), does anyone know to what live? I believe that I am learning. Soon I shall turn the corner. Sun rises outside, but inside, in the darkness, I struggle with pain to be free. My soul is painted like the wings of butterflies. I can fly, friends. The show should continue. I will face...