Such study it can offers to the reader a critical vision on the types of personages who exist and what she comes to be, over all, ' ' the hero without none carter' '. This analysis still can be pertinent to the ratio that the fantastic nature evidences, in which if uncurls the narrative, making possible a comparison with the medieval narrative, where the hero presents on humanity and the wonderful one. With this boarding I intend TO INVESTIGATE the magical transformations of the had protagonist as a hero from the modernista workmanship Macunama (1928) of Mrio de Andrade, to know the types of existing personages and TO STUDY in which platform if it finds the bonanza Macunama, trying TO UNDERSTAND the reason of certain faces. In this article it was basic the choice and reading of the Macunama workmanship, the hero without no character of Mrio de Andrade, the survey election and study of theoretical texts being applied to the subject, followed of analysis of the workmanship, it searches in the Internet, detailing of the division of the article, what it will be argued in each section and as this appears in the same, preparation of the lecture, verbal exposition and at last the production of the body of the work and delivers to the professor Vitor Hugo Fernandes Martins. The used theoretical support was: Alfredo Bosi (2003); Alfredo Bosi (1994); MassaudMoiss (2001); Afrnio Coutinho (1968); Beth Brait (2004); Vitor Manuel de Aguiar and Silva (1974); M.Calvacanti Proena (1974); Salvatorie D' onofrio (2006) This article is composed of two sections, the first one is called: The personage of Horcio the Mrio de Andrade, in Macunama, will deal with the divergences between the types of personages of century XVI to the XX, second, the Metamorphoses of the hero without no character will be analyzed the workmanship and the modifications of the Macunama protagonist.